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“I am trying to make, before I get through, a picture of the whole world — or as much of it as I have seen.  Boiling it down always, rather than spreading it thin.”  — Ernest Hemingway to Mrs. Paul Pfeiffer, 1933, Selected Letters, p. 397
All remembrance of things past is fiction…” —  Ernest Hemingway, A Moveable Feast (Fragments)

What began as an interesting side trip, the thing to do just because I was in Key West, has ignited into what I’ll call, for now, an insatiable interest in Ernest Hemingway.

It didn’t happen immediately.  Or if it did, I didn’t notice.  But the thing that was three weeks ago fuzzy has since grown sharp and clear; why looking through the lens of hindsight always helps, especially when far removed from whatever nouns and adjectives are under study.

Hemingway thought so. The pieces he created grew out of memories, out of real people and places he knew spiced up with questions of ‘what-if’, which he attempted to bring to life using everyday words.

“Actually if a writer needs a dictionary he should not write”, he wrote to Bernard Berenson, in a 1953 letter.  “He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it.”  (Selected Letters, p. 809)

No only do I sometimes need a dictionary.  At times, I like a thesaurus too.  And that I regard spell-check as a “must-do”  may mean I’ve no business in writing.  But… oh well…  Here I am at home. Three weeks gone from Key West.  So why not begin with a nod to Hemingway’s style by boiling that tiny two-day visit all the way down?

I’m glad I went to Key West.  And did all the touristy things a tourist there ‘must do’, like sip margaritas and eat cheeseburgers in paradise at Jimmy Buffett’s place, and tour Harry Truman’s “the buck stops here” Little White House and of course, the beautiful two-story house at 907 Whitehead Street, renovated by Pauline Pfieffer, Hemingway’s second wife.  But perhaps surprising of all, I’m glad we stumbled upon a wonderful renovated cinema managed by the local art society, where we took time to view one of this year’s Academy Award nominated films; Extremely Loud and Incredibly Close is not, I think, a bad description of Old Town’s main drag of Duval Street.

Though Key West was grand in spite of its touristy tarnish, I feel no need to ever return.  To put it all into a coconut nutshell, once a lifetime is quite enough, thank you.  For there are so many other places in this big beautiful world I wish to see more.  And because of my visit to “Hem’s” place, some of them just happen to be where Hemingway worked and lived and wrote about.

Oh-my-gosh did I ever leave Key West with a strong hankering for things Havana — late 1950s please — and of course, Hemingway owned a home just outside that he shared with wives #3 and #4 — and of course they have names — but in interest of boiling it all down, let me call them Martha and Mary.  (As an aside, from what I’ve read, they seem very much like that Biblical pair whose names they bear, since Martha enjoyed her work best and Mary, if not at his feet, at least kept close to Hem’s side.) If not illegal for U.S. citizens, I would travel to Cuba in a heartbeat.  And I would peek through those windows and doorways, yes I would, to see where Hemingway lived for twenty years, the place he left fully furnished with clothes still hanging in the closet and liquor lined up on the cocktail hour table and his beloved fishing yacht in the water because he never imagined he wouldn’t return.

And how I would love to go to Paris again but this time see Hemingway’s Paris and then on to Spain, not to run with the bulls but to walk where Hemingway walked, to see what he saw.  And before that, to re-read his words all over again in The Sun Also Rises  and to remember how in 1926, his way of a writing was the breaking of new ground.  “Isn’t it pretty to think so?” 

Yes, I’ve got the Hem bug bad. Looking back, my low-resistance was there from first unhesitating footsteps —  why my husband and I had no more parked our car and suitcases before we were out the hotel door and standing before Hemingway’s brick wall.  Ironic how what once was erected to keep out tourists now looks like a gateway drug to me. But that’s a story for another day.  Or not.

In the meantime, I’ve plenty of arm-chair traveling to do since Michael Palin’s Hemingway Adventure just arrived in the mail.  I’m keen to know what this once Monty Python star saw and wrote of his travels across Hemingway’s world map.  But before I set off in that direction, can I ask whether you remember that opening bit in the film, Monty Python and the Holy Grail, where horse hoofs were made by clopping together coconut shells?

When the solider says — “Are you suggesting coconuts migrate?” — I must confess, off screen, that mine do.  The contents I earlier put into a coconut nutshell has migrated all over the map.  But then, it’s hard to boil anything down about Hemingway, whether in a coconut nutshell.  Or in a book.  Or in televisionOr in the moviesOr in a museum.  That’s why there’s so much OUT THERE about Hemingway.  Everyone wishes to take a jab at him.  Because the man who wrote sparse prose didn’t live the same way — all those wives  — all those travels and all those places he called home — well, they had a way of cluttering up his story line  — making it difficult for anyone to put Hem in his place.

But boy hidy, it’s hard not to try.